The Promise
by Sharon Olds
With the second drink, at the restaurant,
holding hands on the bare table,
we are at it again, renewing our promise
to kill each other. You are drinking gin,
night-blue juniper berry
dissolving in your body, I am drinking Fumé,
chewing its fragrant dirt and smoke, we are
taking on earth, we are part soil already,
and wherever we are, we are also in our
bed, fitted, naked, closely
along each other, half passed out,
after love, drifting back
and forth across the border of consciousness,
our bodies buoyant, clasped. Your hand
tightens on the table. You're a little afraid
I'll chicken out. What you do not want
is to lie in a hospital bed for a year
after a stroke, without being able
to think or die, you do not want
to be tied to a chair like your prim grandmother,
cursing. The room is dim around us,
ivory globes, pink curtains
bound at the waist—and outside,
a weightless, luminous, lifted-up
summer twilight. I tell you you do not
know me if you think I will not
kill you. Think how we have floated together
eye to eye, nipple to nipple,
sex to sex, the halves of a creature
drifting up to the lip of matter
and over it—you know me from the bright, blood-
flecked delivery room, if a lion
had you in its jaws I would attack it, if the ropes
binding your soul are your own wrists, I will cut them.
On Not Flying to Hawaii
I could be the waitress
in the airport restaurant
full of tired cigarette smoke and unseeing tourists.
I could turn into the never-noticed landscape
hanging identically in all the booths
or the customer behind the Chronicle
who has been giving advice
about stock portfolios for forty years. I could be his mortal weariness,
his discarded sports section, his smoldering ashtray.
I could be the 70-year-old woman who has never seen Hawaii,
touching her red lipstick and sprayed hair.
I could enter the linen dress
that poofs around her body like a bridesmaid,
or become her gay son
sitting opposite her, stirring another sugar
into his coffee for lack of something true to say.
I could be the reincarnated soul of the composer
of the Muzak that plays relentlessly overhead,
or the factory worker who wove this fake Oriental carpet,
or the hushed shoes of the busboy.
But I don't want to be the life of anything in this pitstop.
I want to go to Hawaii, the wet, hot
impossible place in my heart that knows just what it desires.
I want money, I want candy.
I want sweet ukelele music and birds who drop from the sky.
I want to be the volcano who lavishes
her boiling rock soup love on everyone,
and I want to be the lover
of volcanos, who loves best what burns her as it flows.
Alison Luterman
in the airport restaurant
full of tired cigarette smoke and unseeing tourists.
I could turn into the never-noticed landscape
hanging identically in all the booths
or the customer behind the Chronicle
who has been giving advice
about stock portfolios for forty years. I could be his mortal weariness,
his discarded sports section, his smoldering ashtray.
I could be the 70-year-old woman who has never seen Hawaii,
touching her red lipstick and sprayed hair.
I could enter the linen dress
that poofs around her body like a bridesmaid,
or become her gay son
sitting opposite her, stirring another sugar
into his coffee for lack of something true to say.
I could be the reincarnated soul of the composer
of the Muzak that plays relentlessly overhead,
or the factory worker who wove this fake Oriental carpet,
or the hushed shoes of the busboy.
But I don't want to be the life of anything in this pitstop.
I want to go to Hawaii, the wet, hot
impossible place in my heart that knows just what it desires.
I want money, I want candy.
I want sweet ukelele music and birds who drop from the sky.
I want to be the volcano who lavishes
her boiling rock soup love on everyone,
and I want to be the lover
of volcanos, who loves best what burns her as it flows.
Alison Luterman
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